sam morris
lighting cameraman
+44 (0) 7968 487421
drama credits
Small Talk - short drama
Salani Films for SWScreen
Director: Matt Grinter
Length: 11 min, Format: RED Camera (MX Build) from Tajel Films
Festivals, screenings etc:
DIY Knight - short drama
Thaumatop Films
Director: Marc Holtbecker
Length: 17 min, Format: 35mm
The Anchor - short drama
Roll B
Director: Luke Daniels
Length: 17 min, Format: RED camera from Tajel Films
sad case - short drama
Squeaky Dog Films/deep end media
Director: Sam Rogers
Length: 10 min, Format: 35mm
A short by award winning director Sam Rogers shot over 10 days using a Mitchell S35 with prime lenses on on location and in the studio.
The episodic script with each sequence drawing on a different era of film - allowed me to explore a number of different lighting styles, using a number of different stocks
Festivals, screenings etc:
Links
Grey Notes - short drama
Speech Bubble Films
Matt Grinter
Length: 10 min est (in post), Format: Super 16
Revolution - short drama
New Black Productions
Prod: Yaw A Basoah, Director: Kate Moyse
Length: 10 min, Format: HDCAM
Additional photography on this short shot on Sony HDW-750 on location with a small crew. Some pick up shots and sequences shot underwater.
lost property - short drama
BBC (Bristol) Film Club
Director: Verity White
Length: 1 min 30s, Format: Super 16
Originated mute on Super 16mm. A 1-day studio-shot short with a small crew in a simple three-walled set.
Drawing on influences like Edward Hopper, Director Verity White had a clear vision of what she wanted this imaginary world to look like.
With this in mind and knowing we had an ambitious schedule of shots to achieve, I opted for a simple lighting set up that would require only small changes throughout the day and could be easily turned around for the reverse shots.
bare necessities - short drama
GH Films
Producer: Chris Hynes, Director: Kate Grey
Format: Super 16mm and HDV, Length: in post production
A short shot on Super 16mm in a studio over a long weekend with a small crew in a simple three-walled set.
Arri SR3 with Cooke S4s supplied by One Eight Six, lights by AFM and stock by Kodak
knock knock - short drama
Wibble Films
Producer: Liz Banks, Dir: Chris Grimes
Format: Digi-Beta
Chris Grimes’ first short is getting some good exposure at a number of festivals.