sam morris

lighting cameraman

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drama credits

Small Talk - short drama

Salani Films for SWScreen

Director: Matt Grinter

Length: 11 min, Format: RED Camera (MX Build) from Tajel Films

Festivals, screenings etc:

  • Encounters Bristol UK Nov 2010
  • BAFTA The Run Run Shaw Theatre, Picadilly, London Jan 2011
  • Read about the film at SWScreen's site

    • DIY Knight - short drama

    Thaumatop Films

    Director: Marc Holtbecker

    Length: 17 min, Format: 35mm

    The Anchor - short drama

    Roll B

    Director: Luke Daniels

    Length: 17 min, Format: RED camera from Tajel Films

    sad case - short drama

    Squeaky Dog Films/deep end media

    Director: Sam Rogers

    Length: 10 min, Format: 35mm

    A short by award winning director Sam Rogers shot over 10 days using a Mitchell S35 with prime lenses on on location and in the studio.

    The episodic script with each sequence drawing on a different era of film - allowed me to explore a number of different lighting styles, using a number of different stocks

    Festivals, screenings etc:

  • UK Premiere at Film 4's Frightfest
  • European Premiere at Sopot Festival, Poland
  • Phantasmagoria

    • Links

  • visit the film's website
  • Facebook page
  • Imdb entry

    • Grey Notes - short drama

    Speech Bubble Films

    Matt Grinter

    Length: 10 min est (in post), Format: Super 16

    Revolution - short drama

    New Black Productions

    Prod: Yaw A Basoah, Director: Kate Moyse

    Length: 10 min, Format: HDCAM

    Additional photography on this short shot on Sony HDW-750 on location with a small crew. Some pick up shots and sequences shot underwater.

    lost property - short drama

    BBC (Bristol) Film Club

    Director: Verity White

    Length: 1 min 30s, Format: Super 16

    Originated mute on Super 16mm. A 1-day studio-shot short with a small crew in a simple three-walled set.

    Drawing on influences like Edward Hopper, Director Verity White had a clear vision of what she wanted this imaginary world to look like.

    With this in mind and knowing we had an ambitious schedule of shots to achieve, I opted for a simple lighting set up that would require only small changes throughout the day and could be easily turned around for the reverse shots.

    bare necessities - short drama

    GH Films

    Producer: Chris Hynes, Director: Kate Grey

    Format: Super 16mm and HDV, Length: in post production

    A short shot on Super 16mm in a studio over a long weekend with a small crew in a simple three-walled set.

    Arri SR3 with Cooke S4s supplied by One Eight Six, lights by AFM and stock by Kodak

    knock knock - short drama

    Wibble Films

    Producer: Liz Banks, Dir: Chris Grimes

    Format: Digi-Beta

    Chris Grimes’ first short is getting some good exposure at a number of festivals.

    Links

  • Wibble Films and Chris Grimes' site including outtakes

    • Festivals, screenings etc:

  • Watch
  • Cardiff Film Festival
  • shortlisted and nominated for VX Auteur Theory award as part of the Halloween Short Film Festival Or
  • Shown as part of "Funny Shit" selection at the ICA Cinema at Halloween Short Film Festival